beren and luthien

beren and luthien

<p>Beren And Luthien</p>

<p>Painstakingly restored from Tolkien's manuscripts and presented for the first time as a continuous and standalone story, the epic tale of Beren and Luthien will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, Dwarves and Orcs and the rich landscape and creatures unique to Tolkien's Middle-earth.</p>

<p>The tale of Beren and Luthien was, or became, an essential element in the evolution of The Silmarillion, the myths and legends of the First Age of the World conceived by J.R.R. Tolkien. Returning from France and the battle of the Somme at the end of 1916, he wrote the tale in the following year.</p>

<p>Essential to the story, and never changed, is the fate that shadowed the love of Beren and Luthien: for Beren was a mortal man, but Luthien was an immortal Elf. Her father, a great Elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed Luthien. This is the kernel of the legend; and it leads to the supremely heroic attempt of Beren and Luthien together to rob the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril.</p>

<p>In this book Christopher Tolkien has attempted to extract the story of Beren and Luthien from the comprehensive work in which it was embedded; but that story was itself changing as it developed new associations within the larger history. To show something of the process whereby this legend of Middle-earth evolved over the years, he has told the story in his father's own words by giving, first, its original form, and then passages in prose and verse from later texts that illustrate the narrative as it changed. Presented together for the first time, they reveal aspects of the story, both in event and in narrative immediacy, that were afterwards lost.</p>

take your breath away

take your breath away

<p>Take Your Breath Away</p>

<p>A missing woman. A husband suspected.

The truth will … Take Your Breath Away

Linwood Barclay is…

‘A suspense master’ Stephen King &nbsp;&nbsp;

‘In a class of his own’ T.M. Logan

‘One of the finest thriller writers in the world’ Mark Billingham</p>

<p>It’s always the husband, isn’t it?

When his wife Brie vanishes from their home one night, never to be seen again, people assume Andy got away with murder. The police can’t build a case against him, but still his friends and neighbours abandon him.</p>

<p>Six years later, Andy’s life is back on track, and he’s settled with a new girlfriend. And when he hears his old house has been bulldozed and rebuilt, he’s not bothered. Things are good.</p>

<p>But then one day, a woman who looks like Brie shows up at their old address, screaming ‘Where’s my house? What happened to my house?’ before vanishing as quickly as she appeared.</p>

<p>And as dark suspicions resurface, Andy’s future depends on discovering what the hell is going on. The trick is staying alive long enough to find out…</p>

<p>PRAISE FOR LINWOOD BARCLAY:</p>

<p>‘A suspense master’ STEPHEN KING</p>

<p>‘A full-throttle powerhouse of a thriller – Linwood Barclay is in a class of his own’ T.M. LOGAN</p>

<p>‘One of the finest thriller writers in the world’ MARK BILLINGHAM</p>

<p>‘The twists keep coming’ THE TIMES</p>

<p>'No one can thrill you and chill you better than Barclay' TESS GERRITSEN</p>

<p>‘Another lightning-paced page-turner with a twist that really did take my breath away. Absolutely classic Linwood’ MARK EDWARDS</p>

<p>‘Gripping, propulsive, and surprising – he wasn’t kidding, I’m breathless’ DAVID KOEPP</p>

<p>‘If you want someone to jangle your nerves and mess with your mind, Barclay’s your man’ SAGA</p>

<p>'Nothing is more satisfying than tucking into a new Linwood Barclay novel' SHARI LAPENA</p>

<p>‘[Exhibits] Barclay’s remarkable strengths in plotting and characterisation. Perhaps only John Grisham is his equal in creating show-stealing supporting characters’ SUNDAY TIMES</p>

<p>‘Linwood Barclay is a stone-cold pro’ JOE HILL</p>

<p>‘A fast-moving, high-concept thriller from the talented Barclay … a rip-roaring rollercoaster of a ride’ DAILY MAIL</p>

the lay of aotrou and itroun

the lay of aotrou and itroun

<p>The Lay Of Aotrou And Itroun</p>

<p>Unavailable for more than 70 years, this early but important work is published for the first time with Tolkien's 'Corrigan' poems and other supporting material, including a prefatory note by Christopher Tolkien.</p>

<p>Set 'In Britain's land beyond the seas' during the Age of Chivalry, The Lay of Aotrou and Itroun tells of a childless Breton Lord and Lady (the 'Aotrou' and 'Itroun' of the title) and the tragedy that befalls them when Aotrou seeks to remedy their situation with the aid of a magic potion obtained from a corrigan, or malevolent fairy. When the potion succeeds and Itroun bears twins, the corrigan returns seeking her fee, and Aotrou is forced to choose between betraying his marriage and losing his life.</p>

<p>Coming from the darker side of J.R.R. Tolkien's imagination, The Lay of Aotrou and Itroun, together with the two shorter 'Corrigan' poems that lead up to it and which are also included, was the outcome of a comparatively short but intense period in Tolkien's life when he was deeply engaged with Celtic, and particularly Breton, myth and legend.</p>

<p>Originally written in 1930 and long out of print, this early but seminal work is an important addition to the non-Middle-earth portion of his canon and should be set alongside Tolkien's other retellings of myth and legend, The Legend of Sigurd and Gudrun, The Fall of Arthur and The Story of Kullervo. Like these works, it belongs to a small but important corpus of his ventures into 'real-world' mythologies, each of which in its own way would be a formative influence on his own legendarium.</p>

the fall of arthur

the fall of arthur

<p>The Fall Of Arthur</p>

<p>The world first publication of a previously unknown work by J.R.R. Tolkien, which tells the extraordinary story of the final days of England's legendary hero, King Arthur.</p>

<p>The Fall of Arthur, the only venture by J.R.R. Tolkien into the legends of Arthur King of Britain, may well be regarded as his finest and most skilful achievement in the use of the Old English alliterative metre, in which he brought to his transforming perceptions of the old narratives a pervasive sense of the grave and fateful nature of all that is told: of Arthur's expedition overseas into distant heathen lands, of Guinevere's flight from Camelot, of the great sea-battle on Arthur's return to Britain, in the portrait of the traitor Mordred, in the tormented doubts of Lancelot in his French castle.</p>

<p>Unhappily, The Fall of Arthur was one of several long narrative poems that he abandoned in that period. In this case he evidently began it in the earlier nineteen-thirties, and it was sufficiently advanced for him to send it to a very perceptive friend who read it with great enthusiasm at the end of 1934 and urgently pressed him 'You simply must finish it!' But in vain: he abandoned it, at some date unknown, though there is some evidence that it may have been in 1937, the year of the publication of The Hobbit and the first stirrings of The Lord of the Rings. Years later, in a letter of 1955, he said that 'he hoped to finish a long poem on The Fall of Arthur'; but that day never came.</p>

<p>Associated with the text of the poem, however, are many manuscript pages: a great quantity of drafting and experimentation in verse, in which the strange evolution of the poem's structure is revealed, together with narrative synopses and very significant if tantalising notes. In these latter can be discerned clear if mysterious associations of the Arthurian conclusion with The Silmarillion, and the bitter ending of the love of Lancelot and Guinevere, which was never written.</p>

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